Installation comprises:
The mosaic polyptych (30 pieces), oil on canvas, 250x300cm (50x50cm each) on the wall.

The video installation (located 4 metres from the polyptych) – the same size as polyptych (250x300cm) projected from the same wall to a rear projection screen of plexiglass +a photo camera connected with a photo button that could be pressed by the audience while they are standing in front of a polyptych in the same position as Adam and Eve have at the artworks (represented in the video)

The new video about Arbor Mindi in XXI century has been created with those photos.
Time: The 3 min slideshow of the first people - Adam and Eve of different authors, times and media in front of the polyptych

2004 – 2019

My student time in GITIS – Russian Academy of Theatre Arts was a real happiness.

I am very lucky to have such great teachers as famous painters Natalya Nesterova and Evgeny Vakhtangov, who influenced a lot on my desire to take up painting.

Since 2004 our course of set designers directed by the artist and the director Dmitry Krymov has got involved into theatre experiments, which developed into the Experimental Artists Theatre Laboratory and created 3 performances. All 3 have participated in numerous theatre festivals in Russia and abroad.
One of them Demon. The view from above was on the stage till 2019.
During these years Dmitry Krymov Lab evolved comprising more new members: actors, singers and others... each year representing innovative performances.

Also we have been engaged in different kind of activities: art actions, workshops, performances, happenings and expositions.

2007
A perfomance of Dmitry Krymov Set Design students.
Creating a "tryptych" inspired by the painting by Alexandra Exter "Venice"
2 pieces called "Moscow" & "Saint Petersburg"

11th International Competitive Exhibition of Scenography and Theatre Architecture - Prague Quadrennial 07
The Grand-Prix Golden Triga for the Best Presentation of a Theme:
Russia - Creating of the Russian exhibition hall.
Member of the group of authors

Summer Forever opens on the 1st of March – at the end of the Russian winter, when everyone is tired from the cold and began to dream about the summer. Nevertheless, snow and -25 degree weather reign outside the
window.

The 5-D LIVE installation MAZE LOST&FOUND becomes the landmark of the exposition space, interacting with the audience on different levels: visual, audio, kinesthetic, olfactory, cultural, symbolic and emotional.
The readymade "lost" objects and small-size paintings are integrated in the live-grass and blossoming flowers environment. The live-grass-maze recalls a verdant hedge labyrinth with its long history in garden design
and, at the same time, a children's play. The core message of the installation involves evolving and changing, which reflect the everlasting circle of life.

Some of the objects (a lost earring, a shuttlecock) have their twins in the summer paintings that surround the installation. The sense of eternal summer is strengthened by the video of the first people interpreted by different artists from different times and techniques (painting, graphics, fresco, sculpture) in a Paradise garden.

ARBOR MUNDI presents new works by Alexandra Osipova. Blossoming flowers are painted in ample detail and the composition is done in the style of macro photography. The point of view on the object is "from the bottom up," which in its turn fills the bigger part of the space and has its explicit shape on a neutral background, which is intended to highlight the minute details of the plant.

The conception of the exposition in Open Club Gallery is focused on its main piece — a polyptych called ARBOR MUNDI. In this project, the artist reconsiders a mythological archetype, which incarnates the universal concept of the world.

Alexander Salenkov

Alexandra Osipova's exhibit, "Novel in Paintings. Feet in the Clouds," unites 10 series of paintings created by the artist over the last 7 years.
The story is set in various places: Paris, Antwerp, the deserted beaches of Jurmala, a small town on the Spanish seashore, the North Sea dunes in Knokke and the summer in Moscow's suburbs. As in a literary novel,
it has leading and supporting characters, landscape descriptions, lyrical digressions and philosophical musings.

Alexandra's painting is akin to graphic art, with clear and bright colors. The details are interesting and carefully selected, and its autobiographical nature echoes Pablo Picasso's idea that painting is just another way of
keeping a diary.

"Alexandra Osipova discovered her individual figurative painting style, where the scenographer's understanding of action and tempo-rhythm meets the painter's comprehension of the plane. The logic of forceful splashes of color and the collation of contrasts and consonances, volumes and planes impart an intention to the image and keep the viewer's attention. The artist's methods are the keys to recognizing her visual language, which works on the creation of an artistic image and an emotion."

Honoured Cultural Worker of Russia, Lubov Lapteva